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<!-- IMPORTANT MESSAGE: This page does not exist but an earlier version, shown below, has been restored from the backups. Please confirm this is an up to date version, delete this message and then press Save to restore the page to your wiki. Timestamp and ID of backup: Conference-bio-Inke Arns.20070413130507 --> <div id="section05"> = Inke Arns = **biography** Inke Arns is an independent curator, author and researcher based in Berlin, Germany. She studied Eastern European cultural studies, Slavistics, Political Science, and Art History in Berlin and in Amsterdam and completed her PhD degree at the Humboldt University, Berlin in 2004. Since January 2005 she is artistic director of hartware medien kunst verein in Dortmund/Germany. Her curatorial work includes OSTranenie 93, Dessau; Minima Media: Medienbiennale, Leipzig (1994); discord. sabotage of realities, Hamburg (1996-1997); body of the message, Berlin (1998); Body and the East, Ljubljana (1998); Social Technologies, Essen (2003); Irwin: Retroprincip 1983-2003, Berlin, Hagen and Belgrade (2003-2004); and Public Library, Berlin (2004). She is a founding member of various media cultural initiatives including the translocal Syndicate network (1996-2001), mikro (Berlin 1998) as well as the mailing list Spectre (2001). She taught at the Institute of Slavistics at the Humboldt University in Berlin and guest lectured at the Hochschule f�r Grafik und Buchkunst (HGB) Leipzig. Her PhD thesis, Objects in the Mirror may be Closer Than They Appear: The Avant- garde in the Rear-View Mirror, investigates a paradigmatic shift in the way artists reflect the historical avant-garde and the notion of utopia in visual and media art projects in the 1980s and 1990s in (ex-)Yugoslavia and Russia. She has published widely on issues of net culture and media art and most recently published two books: Netzkulturen and Neue Slowenische Kunst (2002). [[http://www.v2.nl/~arns]] </div>