Your name
Password
Images and files If you want to use images or files on this page, please upload them first, then return here to make your changes.
Text <div id="section08"> = References = Roy Ascott (2003) Telematic Embrace. Visionary Theories of Art, Technology and Consciousness, Berkeley and Los Angeles: University of California Press. Albert-Laszlo Barabasi (2002) Linked: The New Science of Networks, Cambridge, Mass.: Perseus Publishing. Walter Benjamin (1999, 1936) 'The Work of Art in the Age of Mechanical Reproduction', trans. Harry Zohn, in Illuminations, London: Pimlico. Walter Benjamin (1983, 1934) 'The Author as Producer' in Understanding Brecht, trans. Anna Bostock, London: Verso. A more recent translation is available in Michael W. Jennings (ed.), (1999) Walter Benjamin: Selected Writings, Volume 2 1927-1934, trans. Rodney Livingstone et al., Cambridge, Mass. & London: Belknap Press of Harvard University, pp. 768-782. Natalie Bookchin and Alexei Shulgin, Introduction To net.art (1994-1999), Mar / April 1999, <http://www.easylife.org/netart/catologue.html>. Josephine Bosma 'Net.artists and Net.Art', Nettime, 30 July 1998 <http://www.nettime.org/nettime.w3archive/199807/msg00084.html>. Jack Burnham (1968) 'Systems Esthetic', in Artforum and (1969) 'Real Time Systems',reprinted (1973) in Jack Burnham (1973) Great Western Salt Works: Essays on the Meaning of Post-Formalist Art, New York: George Braziller. Manuel Castells (1996) The Rise of the Network Society, vol 1 of 'The Information Age: Economy, Society and Culture', Oxford: Blackwell. Paul E. Ceruzzi (1998) History of Modern Computing, Cambridge, Mass./London: MIT Press. James Clifford (2000) 'On Collecting Art and Culture', in Simon During (ed.), The Cultural Studies Reader, London: Routledge, p. 60-61. Geoff Cox, Alex McLean and Adrian Ward (2001) 'The Aesthetic of Generative Code', in Eugene Thacker (ed.), Hard_Code: narrating the network society, Boulder, CA: Alt-X Press: derived from 'Generative Art 00', conference paper, Politecnico di Milano, Italy. Geoff Cox, Alex McLean and Adrian Ward (2004) 'Coding Praxis', in Olga Goriunova and Alexei Shulgin, (eds.), Read_me: Software Art and Cultures (Digital Aesthetics Research Centre, University of Arh�s,), p. 160-174 Gilles Deleuze (1990) 'Control and Becoming', conversation with Antonio Negri, in Futur Anterieur, trans. Martin Joughin, <http://www.generation-online.org/p/fpdeleuze3.htm>. Steve Dietz (1997) 'Curating (on) the Web', paper presented at Museums and the Web, an International Conference, Toronto, Ontario, Canada, April 22-25, 1998, Pittsburgh: Archives & Informatics, <http://www.archimuse.com/mw98/papers/dietz/dietz_curatingtheweb.html>. Steve Dietz (2004) 'Art After New Media', talk delivered at the ISEA 2004 panel Working Across Boundaries: Curating and Preserving New Media Art, Helsinki, August 19, 2004, <http://www.yproductions.com/WebWalkAbout/archives/000578.html>. Steve Dietz (2001) 'Curating new media' in De Carin Kuoni (ed.), Words of wisdom: a curator's vade mecum on contemporary art, New York: Independent Curators International, pp.49-52. Andrew Edgar and Peter Sedgwick (eds.) (1999) Key Concepts in Cultural Theory, Routledge: London, New York. Matthew Fuller (2004) Behind the Blip, New York: Autnomedia. Matthew Fuller (ed.) (2007) Software Studies, Cambridge, Mass.: MIT Press. Alexander Galloway (2004) Protocol, Cambridge, Mass.: MIT Press. Charlie Gere (2005) 'Jack Burnham and the Work of Art in the Age of Real Time Systems', in Morten Sondergaard (ed.) Get Real, Informations Forlag & The Museum of Contemporary Art in Roskilde. Rishab Aiyer Ghosh (ed.) (2005) Code. Collaborative Ownership and the Digital Economy, Cambridge, Mass./London: MIT Press. Olga Goriunova and Alexei Shulgin (eds.) (2003) Read_Me 2.3 Reader: about software art, Helsinki: NIFCA The Nordic Institute for Contemporary Art publication 25, http://www.mcult.org/read_me/reader.php. Beryl Graham and Sarah Cook 'Curating New Media: Net or not Net' in Art Monthly, London, November 1999, pp.44-45. Rachel Greene (2000) 'Web Work: A History of Internet Art', Artforum 3, no. 9, p 162-7. Rachel Greene (2004) Internet Art, New York: Thames & Hudson. Michael Hardt and Antonio Negri (2000) Empire, Cambridge, Mass.: Harvard University Press. Donald Knuth (1981, 1968) The Art of Computer Programming, volume 1 �Fundamental Algorithms�, Reading, Mass.: Addison - Wesley Publishing Company. Lucy Kimbell (ed.) (2004) New Media Art: Practice and Context in the UK 1994-2004, London: Arts Council England. Friedrich A. Kittler (1990) Discourse Networks, 1800 / 1900, Stanford, trans. Michael Metteer, California: Stanford University Press. Joasia Krysa (ed.) (2006) Immaterial Curating, New York: Autonomedia (DATA Browser 03). Maurizio Lazzarato (1996) 'Immaterial Labour', in Paolo Virno and Michael Hardt (eds.), Radical Thought in Italy: A Potential Politics, Minneapolis: University of Minnesota Press. Alessandro Ludovico (2002) 'Virus charms and self-creating codes', in Franziska Nori (ed.), I love you: computerviren, hacker, kultur, exhibition catalogue (Museum f�r Angewandte Kunst: Frankfurt 2002). Alessandro Ludovico (2004) 'I love you [rev.eng]. The Aesthetics of Computer Viruses. German Exhibition on International Tour', in Neural.it (http://neural.it/) and in Nettime posting, September 2004. Karl Marx (1973, 1939) Grundrisse, London: Penguin Books. Alex McLean (06 Jun 2003), posting on Runme.org, <http://runme.org/feature/read/+sweetcode/+45/> Bill Nichols (2003, 1988) 'The Work of Culture in the Age of Cybernetic Systems' in Noah Wardrip-Fruin & Nik Montfort (eds.), The New Media Reader, Cambridge, Mass.: MIT Press. David F. Noble (1984) Forces of Production: A Social History of Industrial Automation, New York, Oxford: Oxford University Press. Franziska Nori (ed.) (2002) I love you: computerviren, hacker, kultur, exhibition catalogue, Frankfurt: Museum f�r Angewandte Kunst, <http://www.digitalcraft.org/iloveyou/>. Christiane Paul (2003) Digital Art, New York: Thames & Hudson. Christiane Paul (ed.) (2006) Curating New Media, Berkeley and Los Angeles: University of California Press. Richard Stallman (1988) 'GNU Project', in Joshua Gay (ed.) (2002) Free Software, Free Society: Selected Essays of Richard M. Stallman, Boston, MA: GNU Press, Free Software Foundation. Susan Stewart (2000) 'On Longing', in Simon During (ed.), Cultural Studies Reader, London: Routledge. Gerfried Stocker and Christine Schopf (2003) Code, Ars Electronica, Hatje Cantz Verlag. Ute Tischler and Christoph Tannert (2004) MIB-Men in Black: Handbook of Curatorial Practice, Berlin: Revolver Books. Dylan Tweney (2006) 'Here Comes a Google for Coders', 17 February, in Wired, http://www.wired.com/news/technology/0,7021-0.html?tw=rss.index Paolo Virno (1996) 'Notes on the General Intellect' Paulo Virno (2004) A Grammar of the Multitude: For an Analysis of Contemporary Forms of Life, trans. Isabella Bertoletti, James Cascaito, Andrea Casson, New York: Semiotext(e). Norbert Wiener (2000, 1948) Cybernetics: or Control and Communication in the Animal and the Machine, Cambridge, Mass.: MIT Press. Stephen Wilson (2002) Information Arts. Intersections of Art, Science, and Technology, Cambridge, Mass./London: MIT Press. Noah Wardip-Fruin & Nic Montfort (eds.) (2003) The New Media Reader, Cambridge, Mass./London: MIT Press. Peter Weibel and Timothy Drucker (eds.) (2000) Net_Condition. Art and Global Media, ZKM & MIT Press. ** Projects ** [[http://www.0100101110101101.org/:0100101110101101.org]] [[http://www.adaweb.com/:Ada Web]] [[http://www.aec.at/:Ars Electronica]] [[http://www.whitney.org/artport/:Artport]] [[http://www.bsd.org/:Berkeley Software Distribution]] [[http://www.codase.com/:Codase]] [[http://www.bigbold.com/snippets/:Code Snippets]] [[http://www.codefetch.com/:Codefetch]] [[http://www.aec.at/festival1995/catalog/grubing.html/:C@C - Computer Aided Curating]] [[http://www.constantvzw.com/cn_core/cuisine/:Constant]] [[http://www.tate.org.uk/onlineevents/archive/CuratingImmaterialitySystems/:Curating, Immateriality, Systems]] [[http://www.newmedia.sunderland.ac.uk/crumb/phase3/index.html/:CRUMB]] [[http://databaseimaginary.banff.org/index.php/:Database Imaginary]] [[http://www.easylife.org/desktop/:Desktop IS]] [[http://www.digitalcraft.org/:Digitalcraft]] [[http://www.epidemiC/:Epidemi[C]]] [[http://www.etoy.com/:Etoy]] [[http://www.fsf.org/:Free Software Foundation]] [[http://freshmeat.net/:Freshmeat]] [[http://gallery9.walkerart.org/:Gallery 9]] [[http://www.gnu.org/:General Public License]] [[http://www.kernel.org/:GNU/Linux project]] [[http://www.cogsci.ed.ac.uk/~alik/ilex.html/:The Intelligent Labelling Explorer (ILEX)]] [[http://www.jodi.org/:JODI]] [[http://www.koders.com/:Koders]] [[http://www.krugle.com/:Krugle]] [[http://kurator.org/:Kurator]] [[http://www.low-fi.org/:low-fi]] [[http://ocw.mit.edu/:Massachusetts Institute of Technology, OpenCourseWare]] [[http://msdnaa.oit.umass.edu/Neula.asp/:Microsoft End User License Agreement]] [[http://en.wikipedia.org/wiki/Obfuscated_code/:Obfuscated code]] [[http://perlmonks.org/:PerlMonks.Org]] [[http://www.artnetweb.com/port/:PORT: Navigating Digital Culture]] [[http://readme.runme.org/:Readme festival]] [[http://www.rhizome.org/:Rhizome]] [[http://www.runme.org/:Runme]] [[http://sourceforge.net/:SourceForge]] [[http://sweetcode.org/:Sweetcode]] [[http://www.turbulence.org/:Turbulence]] </div>