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References

Roy Ascott (2003) Telematic Embrace. Visionary Theories of Art, Technology and Consciousness, Berkeley and Los Angeles: University of California Press.

Albert-Laszlo Barabasi (2002) Linked: The New Science of Networks, Cambridge, Mass.: Perseus Publishing.

Walter Benjamin (1999, 1936) 'The Work of Art in the Age of Mechanical Reproduction', trans. Harry Zohn, in Illuminations, London: Pimlico.

Walter Benjamin (1983, 1934) 'The Author as Producer' in Understanding Brecht, trans. Anna Bostock, London: Verso. A more recent translation is available in Michael W. Jennings (ed.), (1999) Walter Benjamin: Selected Writings, Volume 2 1927-1934, trans. Rodney Livingstone et al., Cambridge, Mass. & London: Belknap Press of Harvard University, pp. 768-782.

Natalie Bookchin and Alexei Shulgin, Introduction To net.art (1994-1999), Mar / April 1999, .

Josephine Bosma 'Net.artists and Net.Art', Nettime, 30 July 1998 .

Jack Burnham (1968) 'Systems Esthetic', in Artforum and (1969) 'Real Time Systems',reprinted (1973) in Jack Burnham (1973) Great Western Salt Works: Essays on the Meaning of Post-Formalist Art, New York: George Braziller.

Manuel Castells (1996) The Rise of the Network Society, vol 1 of 'The Information Age: Economy, Society and Culture', Oxford: Blackwell.

Paul E. Ceruzzi (1998) History of Modern Computing, Cambridge, Mass./London: MIT Press.

James Clifford (2000) 'On Collecting Art and Culture', in Simon During (ed.), The Cultural Studies Reader, London: Routledge, p. 60-61.

Geoff Cox, Alex McLean and Adrian Ward (2001) 'The Aesthetic of Generative Code', in Eugene Thacker (ed.), Hard_Code: narrating the network society, Boulder, CA: Alt-X Press: derived from 'Generative Art 00', conference paper, Politecnico di Milano, Italy.

Geoff Cox, Alex McLean and Adrian Ward (2004) 'Coding Praxis', in Olga Goriunova and Alexei Shulgin, (eds.), Read_me: Software Art and Cultures (Digital Aesthetics Research Centre, University of Arh�s,), p. 160-174

Gilles Deleuze (1990) 'Control and Becoming', conversation with Antonio Negri, in Futur Anterieur, trans. Martin Joughin, .

Steve Dietz (1997) 'Curating (on) the Web', paper presented at Museums and the Web, an International Conference, Toronto, Ontario, Canada, April 22-25, 1998, Pittsburgh: Archives & Informatics, .

Steve Dietz (2004) 'Art After New Media', talk delivered at the ISEA 2004 panel Working Across Boundaries: Curating and Preserving New Media Art, Helsinki, August 19, 2004, .

Steve Dietz (2001) 'Curating new media' in De Carin Kuoni (ed.), Words of wisdom: a curator's vade mecum on contemporary art, New York: Independent Curators International, pp.49-52.

Andrew Edgar and Peter Sedgwick (eds.) (1999) Key Concepts in Cultural Theory, Routledge: London, New York.

Matthew Fuller (2004) Behind the Blip, New York: Autnomedia.

Matthew Fuller (ed.) (2007) Software Studies, Cambridge, Mass.: MIT Press.

Alexander Galloway (2004) Protocol, Cambridge, Mass.: MIT Press.

Charlie Gere (2005) 'Jack Burnham and the Work of Art in the Age of Real Time Systems', in Morten Sondergaard (ed.) Get Real, Informations Forlag & The Museum of Contemporary Art in Roskilde.

Rishab Aiyer Ghosh (ed.) (2005) Code. Collaborative Ownership and the Digital Economy, Cambridge, Mass./London: MIT Press.

Olga Goriunova and Alexei Shulgin (eds.) (2003) Read_Me 2.3 Reader: about software art, Helsinki: NIFCA The Nordic Institute for Contemporary Art publication 25, http://www.mcult.org/read_me/reader.php.

Beryl Graham and Sarah Cook 'Curating New Media: Net or not Net' in Art Monthly, London, November 1999, pp.44-45.

Rachel Greene (2000) 'Web Work: A History of Internet Art', Artforum 3, no. 9, p 162-7.

Rachel Greene (2004) Internet Art, New York: Thames & Hudson.

Michael Hardt and Antonio Negri (2000) Empire, Cambridge, Mass.: Harvard University Press.

Donald Knuth (1981, 1968) The Art of Computer Programming, volume 1 �Fundamental Algorithms�, Reading, Mass.: Addison - Wesley Publishing Company.

Lucy Kimbell (ed.) (2004) New Media Art: Practice and Context in the UK 1994-2004, London: Arts Council England.

Friedrich A. Kittler (1990) Discourse Networks, 1800 / 1900, Stanford, trans. Michael Metteer, California: Stanford University Press.

Joasia Krysa (ed.) (2006) Immaterial Curating, New York: Autonomedia (DATA Browser 03).

Maurizio Lazzarato (1996) 'Immaterial Labour', in Paolo Virno and Michael Hardt (eds.), Radical Thought in Italy: A Potential Politics, Minneapolis: University of Minnesota Press.

Alessandro Ludovico (2002) 'Virus charms and self-creating codes', in Franziska Nori (ed.), I love you: computerviren, hacker, kultur, exhibition catalogue (Museum f�r Angewandte Kunst: Frankfurt 2002).

Alessandro Ludovico (2004) 'I love you [rev.eng]. The Aesthetics of Computer Viruses. German Exhibition on International Tour', in Neural.it (http://neural.it/) and in Nettime posting, September 2004.

Karl Marx (1973, 1939) Grundrisse, London: Penguin Books.

Alex McLean (06 Jun 2003), posting on Runme.org,

Bill Nichols (2003, 1988) 'The Work of Culture in the Age of Cybernetic Systems' in Noah Wardrip-Fruin & Nik Montfort (eds.), The New Media Reader, Cambridge, Mass.: MIT Press.

David F. Noble (1984) Forces of Production: A Social History of Industrial Automation, New York, Oxford: Oxford University Press.

Franziska Nori (ed.) (2002) I love you: computerviren, hacker, kultur, exhibition catalogue, Frankfurt: Museum f�r Angewandte Kunst, .

Christiane Paul (2003) Digital Art, New York: Thames & Hudson.

Christiane Paul (ed.) (2006) Curating New Media, Berkeley and Los Angeles: University of California Press.

Richard Stallman (1988) 'GNU Project', in Joshua Gay (ed.) (2002) Free Software, Free Society: Selected Essays of Richard M. Stallman, Boston, MA: GNU Press, Free Software Foundation.

Susan Stewart (2000) 'On Longing', in Simon During (ed.), Cultural Studies Reader, London: Routledge.

Gerfried Stocker and Christine Schopf (2003) Code, Ars Electronica, Hatje Cantz Verlag.

Ute Tischler and Christoph Tannert (2004) MIB-Men in Black: Handbook of Curatorial Practice, Berlin: Revolver Books.

Dylan Tweney (2006) 'Here Comes a Google for Coders', 17 February, in Wired, http://www.wired.com/news/technology/0,7021-0.html?tw=rss.index

Paolo Virno (1996) 'Notes on the General Intellect'

Paulo Virno (2004) A Grammar of the Multitude: For an Analysis of Contemporary Forms of Life, trans. Isabella Bertoletti, James Cascaito, Andrea Casson, New York: Semiotext(e).

Norbert Wiener (2000, 1948) Cybernetics: or Control and Communication in the Animal and the Machine, Cambridge, Mass.: MIT Press.

Stephen Wilson (2002) Information Arts. Intersections of Art, Science, and Technology, Cambridge, Mass./London: MIT Press.

Noah Wardip-Fruin & Nic Montfort (eds.) (2003) The New Media Reader, Cambridge, Mass./London: MIT Press.

Peter Weibel and Timothy Drucker (eds.) (2000) Net_Condition. Art and Global Media, ZKM & MIT Press.


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